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Lucky Mud & Other Foma

A Field Guide to Kurt Vonnegut's Environmentalism and Planetary Citizenship

ebook
2 of 2 copies available
2 of 2 copies available
A fascinating deep dive into Kurt Vonnegut’s oeuvre and legacy, illuminating his unique perspective on environmental stewardship and our shared connections as humans, Earthlings, and stardust.
Vonnegut’s major apocalyptic trio—Cat’s Cradle, Slapstick, and Galápagos—prompt broad global, national, and species-level thinking about environmental issues through dramatic and fantastic scenarios. This book, Lucky Mud and Other Foma, tells the story of the origins and legacy of what Kurt Vonnegut understood as “planetary citizenship” and explores key roots, influences, literary techniques, and artistic expressions of his interest in environmental activism through his writing.
 
Vonnegut saw writing itself as an act of good citizenship, as a way of “poisoning” the minds of young people “with humanity . . . to encourage them to make a better world.” Often that literary activism meant addressing real social and environmental problems—polluted water, soil, and air; racial and economic injustice; isolating and dehumanizing technologies; and lives and landscapes desolated by war. Vonnegut’s remedies took many forms, from the redemptive power of the arts to artificial extended families to vital communities and engaged democracies. Reminding us of our shared connections as humans, as Earthlings, as stardust, Lucky Mud helps fans, scholars, and book lovers of all kinds experience how Vonnegut’s writings purposely challenge readers to think, create, and love.
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    • Publisher's Weekly

      September 19, 2022
      Kurt Vonnegut’s fiction was marked by his belief in humans’ responsibility for environmental and social justice, according to this strong survey. Jarvis (The Male Body at War), an English professor at State University of New York at Fredonia, posits that “Vonnegut saw writing itself as an act of good citizenship,” and traces the genesis of the author’s worldview back to his early education, which focused on “connecting children with their local environments,” and the “pure high adventure” he experienced on a teacher-led trip through the American Southwest when he was 14. Vonnegut’s other sources of inspiration, Jarvis writes, include Henry David Thoreau, who he looked to “for ideals of self-reliance... critiques of emergent technologies and injustice, and even stylistic conventions,” and his time at the University of Chicago, where he reflected on “nuclear technology and human extinction.” This, Jarvis writes, informed many of the “apocalyptic landscapes” within his fiction, as seen, for instance, in Sirens of Titan, in which Vonnegut “simultaneously presents humans as important biological agents... and as one humble species among many in the cosmos.” Close readings bolster her case, and Jarvis’s study, though scholarly, has zest. Vonnegut’s fans will revel in this clever exploration of his influences.

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Languages

  • English

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