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I'd Like to Say Sorry, But There's No One to Say Sorry To

Stories

Audiobook
2 of 2 copies available
2 of 2 copies available
An exquisitely original collection of darkly funny stories that explore the panorama of Jewish experience in contemporary Poland, from a world-class contemporary writer
Mikolaj Grynberg is a psychologist and photographer who has spent years collecting and publishing oral histories of Polish Jews. In his first work of fiction—a book that has been widely praised by critics and was shortlisted for Poland's top literary prize—Grynberg recrafts those histories into little jewels, fictionalized short stories with the ring of truth.
Both biting and knowing, I'd Like to Say Sorry, but There's No One to Say Sorry To takes the form of first-person vignettes, through which Grynberg explores the daily lives and tensions within Poland between Jews and gentiles haunted by the Holocaust and its continuing presence.
Each of the thirty-one stories is a dazzling and haunting mini-monologue that highlights a different facet of modern Poland's complex and difficult relationship with its Jewish past.
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    • Publisher's Weekly

      November 1, 2021
      The vital English-language debut from Grynberg, a photographer, psychologist, and oral historian, features 31 first-person vignettes narrated by Jews and gentiles in Poland who belong to the generation born after the Holocaust. Through these monologues, the speakers struggle with survivor’s guilt as they come to terms with the horrors of the ghettos and the camps as experienced by their family and friends. Common themes among them are wanting to forget the past so as to belong to the living and feeling alienated in the present by both family and fellow countrymen. In “An Elegant Purse,” the speaker is determined to find her grandparents’ graves. As it dawns on her that her mother was Jewish, she has a new purpose: “I’m learning how to be a daughter all over again.” “Procession” tells the story of a woman whose grandfather mistakenly believed the French would protect his family, but they were arrested and everyone, except the narrator’s mother, died in Auschwitz. As a photographer, Grynberg knows the value of capturing a moment in time; through these narratives, the reader sees, as translator Bye notes, “something we might not have seen with our own eye.” These views of a tragic past are brought sharply into focus. (Feb.)Correction: This review has been updated to better reflect the range of first-person accounts contained in the book. It has also been corrected; an earlier version misgendered one of the character.

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  • OverDrive Listen audiobook

Languages

  • English

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