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Black Meme

A History of the Images that Make Us

Audiobook
88 of 89 copies available
88 of 89 copies available
Representations of Blackness have always been integral to our understanding of of the modern world. In Black Meme, Legacy Russell, author of Glitch Feminism, explores the construct, culture, and material of the "meme" as mapped to Black visual culture from 1900 to present day. Mining archival and contemporary media Russell explores the impact of Blackness, Black life, and death on contemporary conceptions of viral culture, borne in the age of the internet.
These meditations include: the circulation of Lynching postcards; Jet magazine's publication of a picture of Emmett Till in his open casket; how the televised broadcast of protesters in Selma enters the nation's living room and changed the debate on civil rights; how a citizen-recorded video of the Rodney King beating at the hands of the LAPD became known as the "first viral video"; what the Anita Hill hearings tell us about the media's creation of the Black icon; Tamara Lanier's fight to reclaim the photos of her enslaved ancestors, Renty and Delia, from Harvard's archive; the Facebook Live recording by Lavish "Diamond" Reynolds of the murder of her partner Philando Castile by the police after being stopped for a broken tail light; and more. Legacy Russell explores the power of these tokens and argues that without the contributions of Black people, digital culture would not exist in its current form.
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    • Publisher's Weekly

      February 19, 2024
      Black culture has played a pivotal role in shaping notions of digital virality, according to this innovative analysis from curator Russell (Glitch Feminism). Tracing “Blackness itself as a viral agent” transmitted through “mediation, copying, and carrying,” from 19th-century lynching postcards to today, Russell examines how Black imagery has been used to perpetuate racism and racist violence. (Even seemingly innocent internet artifacts are objects of appropriation, according to Russell, who describes a widely shared dancing baby GIF from the 1990s as an “imaginary projection of a Black child who dances for the viewer on loop, in endless labor.”) In addition to constructing a persuasive case that digital culture steals from Black culture even as it looks down on Black people, Russell takes care to highlight positive media depictions of Blackness, such as Michael Jackson’s 1983 Thriller music video, in which “zombies, in a constant state of transmission, transformation, transmutation, and becoming, are the embodiment of the Black meme—reanimated, empowered, collectivized.” This is sure to stir debate. Photos.

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  • English

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